Universal Pictures
By the TrendTube editorial team, using YouTube Data API snapshots. Our methodology
6 million views for a trailer that shows practically nothing, just a date and a few seconds of atmosphere. This countdown trailer for The Odyssey confirmed one thing even before the film's release, the entire world is waiting for Christopher Nolan, and the smallest sign of life from his project triggers a stampede. The pitch of the century fits in one line, Nolan adapts Homer's Odyssey. A 2,800-year-old text, an epic of sea, monsters and homecoming, entrusted to the director of Interstellar and Oppenheimer. On paper it is the most ambitious project of his career, and Universal opened every door after his Oscar triumph. Expectations match the enormity. One detail sparked plenty of comment-section discussion, the film is rated R in the United States for violence and language. Nolan clearly has no intention of softening Homer, and that is probably excellent news. The original Odyssey is a brutal text, filled with massacres and terrifying creatures, far from the schoolbook imagery sometimes attached to it. The adult audience targeted here should get the poem rather than its watered-down version. The trailer's presence in 45 countries illustrates a phenomenon reserved for a handful of filmmakers. Nolan is among the last directors whose name alone creates a worldwide event, with no franchise or preexisting character to carry the promotion. When a one-minute countdown generates these numbers, you can measure what the film itself will produce. The rest belongs in theaters, on the biggest screen you can find, as always with him. The relationship between the two figures is the most remarkable thing here. Six million views and 45 countries means that a one-minute piece showing almost nothing achieves wider coverage than The Uprising trailer with its 10.4 million views across 24 countries, or the Shrek 5 teaser, also at 24. In our snapshots, only WERWULF with 47 countries, and Chainsaw Man and Dune with 64, do better. A countdown containing no footage therefore achieves international reach that most full trailers never manage. That is the signature of a proper name that has become a franchise in itself, a case our data records rarely, and one it shares here only with Robert Eggers.